Create Look Enjoy

July 4, 2024

Declaring Independence From Corporate Food Chains By Eating Only From My Garden - July 4th, 2024

I chose to experiment with snapping my dependance on corporate food chains by declaring that for the day, following the laws of nature, I would only eat food from my garden. I photographed the process.

I started with blueberries and snap peas.

I think, "Oh my God, there’s no way I’m going to make it through the day." It’s about 10 AM.

Then I had a salad of red leaf lettuce with garlic powder, ginger powder, brewers yeast, pepper, oregano, olive oil and balsamic vinegar. It is satisfying and tastes so good, and I think maybe I’ll make it through the day with just food from the garden, along with seasonings from the pantry.

Around 1 o’clock I take more pictures. I pull out of the ground a carrot that has 2 1/2 foot tall green tops, but the root is only about 2 1/2 inches long. I pull out another one, and it’s even shorter. But they’re beautiful.

I harvest arugula, purslane, basil, Italian parsley, tatsoi, green leaf lettuce, and a few carrot greens. And, oh yeah, some dandelion leaves. Normally I add these greens to soymilk and frozen banana, along with garlic powder, ginger and cayenne pepper.

Instead, I blended the greens with just water. It was extraordinarily bitter.

Then I added spices, desperate for a palatable flavor. This served only to impossibly increase the bitterness.

There was a bunch of fibrous stuff that started coagulating on the top, so I tried to filter the coagulant out with my teeth and just suck the intense juice down my throat. I tried chasing it with the carrots hoping that they would be sweet, but they were no help. I thought to myself, "Why am I doing this?" I had a few more sips and then threw the rest away. Just looking at this image makes me gag.

* * * * * * * * * *

It’s a few minutes later and my mind feels pretty clear and there’s some powerful energy emanating from my stomach. I’m going try drinking some water, but might need to brush my teeth. Just brushed them. Heaven.

I’m cleaning the house and the vacuum cleaner stops working, and I’m trying to fix it, and I’m getting more and more frustrated. Wondering: "Am I fundamentally hungry?"

I harvest a not fully ripe cucumber, or should I say, not yet fully sized cucumber. Knowing my independence food day was upcoming, I had my eye on this cucumber, and was urging it to grow to be as big as possible for today. Thankfully, cucumbers grow fast,

Cucumbers emerge out of flowers. In the picture below, at the far right tip, you can see the remains of a once vibrant yellow flower.

I sprinkled olive oil, balsamic vinegar and pepper on the cucumber.

I also harvested the remaining snap peas, along with green Swisss chard, arugula and tatsoi.

Desperate for fat, I put in more olive oil than normal to stir fry the peas and the greens. Added soy sauce and black pepper. So freaking good. I could sometimes taste the individual greens, as opposed to the astringent dark green juice blend I had for lunch.

Both dishes were so good that I couldn’t eat mindfully, that is pausing and taking a breath between each bite, and striving to chew each mouthful until it liquifies.

* * * * * * * * * *

I made it through the day! Yet I fantasized about programming my rice cooker to be greeted in the morning by a huge pot of white rice.

I’m not sure if this was fun, or if I’d recommend it to anyone, or if it falls into the pursuit of happiness category.

However, imagine if you could only eat what was available in your garden on a particular day. Satisfying, for sure, to decouple from corporate food chains, but wildly restricted choices.

In case you are wondering, I did make the rice. Celestial!

Professor John Nordell teaches courses in the Arts, Media, and Design Program at American International College in Springfield, Mass. He blogs about the creative process at CreateLookEnjoy.com. Instagram: create.look.enjoy

June 28, 2024

Toads, Arks and Rocks

It's hot and humid. I'm hiking uphill getting close to large rocks left by glaciers when suddenly noticing this toad prompts a reflex of surprised levitation. Feet back on earth, I crouch down, zoom in, and snap away.

Guardian - An American Toad

I'm on a Trustees of Reservations property in Manchester-by-the-Sea, recently renamed The Monoliths, a change from Agassiz Rock. According to the Trustees, "There is no doubt that Agassiz’s theories about the rocks dotting New England’s landscape being shaped and deposited by glaciers and not the biblical flood that floated Noah’s Ark, as believed at the time, were groundbreaking. However, Agassiz also vehemently promoted the theory of polygenism—the view that humans of varying skin color are of different origins and non-white races are inherently inferior—to a degree that was considered extreme even for his time." Click for their full explanation for the name change.

How Long
Has This Been Going On?

I'm shooting Little Rock with a contemporary Nikon Mirrorless Z6 II DSLR camera, using my 50-year-old 50mm f1.4 Nikkor lens acquired as a teenager.

Positively Pyramidal

Using a technique to create experimental images I learned when teaching at Hallmark Institute of Photography, I removed the lens from the camera and held it an angle a slight distance from the camera's sensor.

Balance

When not experimenting, my vintage lens renders super sharp images.

Same Scene Seen Differently

Like my unexpected toad spotting, I love the surprises that emerge when using equipment in a fashion it was not designed for. Perhaps the dreaminess captures the location's mythical aspects.

Life from Rock

The very large (f1.4) maximum aperture of the lens allows me to isolate subjects using shallow depth of field.

Big Rock

Down the hill from Little Rock near a swamp is the 30-foot-tall Big Rock. Nestled in trees, it was hard to photographically capture the majesty of the edifice. The process became even more challenging as a swarm of mosquitos attacked me and sweat streamed down my face.

Fern Fractal

Despite not being satisfied with my photos of Big Rock, the adverse conditions caused me to surrender and retreat back to my car.

Rock my World

On my way out, the markings on this rock evoked the toad that welcomed me to the property.

May 20, 2024

Fostering a Creative Mindset - Finding Mindfulness

The last duties and tasks of the spring semester completed! So excited with the work my students created. Take a look.

Got Satisfaction

A few hours later, leaving a semester's end reception and walking to my car I spied an interesting looking water tower. It evoked the industrial era and subject matter favored for interpretation by two of my favorite artists, Lyonel Feininger and Charles Sheeler.

Jacob's Ladder

I drove a few blocks to get close and photograph. All the buildings were festooned with No Trespassing signs and surveillance cameras. Aware of possibly being watched, I did not linger, yet played the edge of confrontation. Well, you see, I am an artist...

The Three Sovereigns

When I got out a pen and piece of scrap paper to sketch my subject matter in order to understand it more clearly, I wondered if the process might enhance my chances of rousing security. Now he's taking notes...?

I Can See Clearly Now

As the water tower excursion proved fruitful, I circled back to the spot I originally spotted the edifice and snapped an image to fully tell the story.

Fully Present

Rather than a day of completion and celebration, I speculate that I had I just left a curriculum planning meeting and was heading home to lesson plan for the next day, I might not have noticed the water tower in the distance as my thoughts and my feet would not have been in the same place.

April 9, 2024

My Experimental Film Image Chosen for F-Stop Magazine's Group Exhibition on Cities, Plus: "What is the purpose of photographs?"

Delighted that my image Steam and Birds, Manhattan was included in F-Stop Magazine's Cities issue. You can find my image if you scroll halfway down the group exhibit. Thrilled to have my work nestled amongst fascinating and varied views of metropolises.

Steam and Birds, Manhattan

This image is from a series shot using a 120mm lo-fi plastic toy camera called a Holga,

However, I modified the Holga so I could shoot using 35mm transparency film. This is why the image bleeds into the areas around the sprocket holes. These are actual transparencies. No Photoshop. The scans of the transparencies were worked on in Lightroom.

One frame of 35mm film is 24mm tall and 36 mm wide. One frame of 120mm film is a 56mm square. I researched how to actually make the modification. I learned at Lisa Shea's HolgaPhotography.com how to make these physical modifications, using foam and rubber bands. Nicolai Morrisson on his site PhotonDetector.com presented a chart of how many clicks of the knob you need to advance the film between exposures. As the thickness of the film on take up spool thickens, you need fewer and fewer clicks per advance. You can see my check marks after I advanced the proper number of clicks. I loved the absence of a visual indicator as the technique relied solely on audio

Life Will Not Be Denied, Brooklyn

(At the end of my day photographing in Brooklyn, I dictated this narrative into my phone.)

Arriving Brooklyn, driving under the railroad tracks with my daughter, the light was so beautiful, it was sunny, I saw pictures everywhere. After dropping her off, I set out in search of the rail line. Some areas around churches, the people seemed a little funky. But I’m looking down the street in the right direction, and there is the elevated rail line. I see where it goes underground, and I take a picture of the tracks through the fence, thinking of the picture that friend/photographer/collaborator Jaypix Belmer and I saw taken by the teens in Boston. I’m starting to do the 42 clicks or whatever, so I’m focused on that, and suddenly this guy in my face and says, “can you give me a buck for some fried chicken”? I said “no” and looking at my glasses he said “how about those Ray-Ban’s”? I almost started to say, “well they are prescription, and they won’t help you much", but he moved away. A little unnerving. And I lost track of how many knob clicks advancing film on the camera I had done. After this dollar fried chicken experience, I took a dollar out of my wallet and put it in my pocket so I could easily make a transaction without the vulnerability of opening my wallet.

Right On Time, Brooklyn

I kept looking for pictures, and there’s such a premium on the fact I have only 21 pictures on the roll of film. Kept having my friend/photographer/mentor Lou Jones’s voice in my head about needing access to people and their lives, or Jaypix talking about the importance of talking to strangers to get intimate photos. I went up on the Long Island Railroad platform, thinking of the Bernice Abbott photos taken from a train in Brooklyn that Jaypix and I recently saw at the Boston Atheneum.

I felt so much like I have to take a picture this way or I have to take a picture that way. It can’t just be a scene, there has to be action and people and shadows and complexity. I became angry and discouraged. And then I thought, “If it’s easy, everyone could do it”.

Stop, Look and Listen, Brooklyn
I took a picture of the back of a youth with cool hair and a shiny coat. But felt like a wimp. I came to the end of one street and there was a huge statue of General Grant on horseback, that added some liveliness. I was crouched down, waiting for six bicycles and 10 pedestrians with strollers to come by simultaneously. No such luck. People were scooting by on scooters and there were pretty good shadows. I needed to get to my next appointment, so I just decided, when this next scooter comes by, I’m going to get down low and snap a picture with the scooter in the shadow of the sculpture. So, I did that, but missed the scooter.

Ulysses S. Grant in Brooklyn
It was great then visiting friend/artist/photographer Keris Salmon and meeting her daughter and talking about our both having been stuck in a creative rut and the struggle of getting out of a rut. Seeing all of her art and all her books on art and hearing about the new project she doing, I left inspired and the light was getting even more gorgeous. I saw a tall thin building that was amazing, so I kept walking towards it. Tried to get a fire escape and a tree with the building, but again the very frugal with film, I didn’t take it. But then, looking up at the tree with a sliver of building, I think I burned the frame.

Light So Thick You Can Touch It, Brooklyn

Got closer to the tall building and it was kind of interesting, but there was a huge crane and the light on it was just fabulous. So, I think I took a picture of the tall building with the crane. I also remembered at one point, that I could do multiple exposures, so I think I did one at this point. Then I did a double exposure of the incredible crane overlapped wigs for sale.

Heavy Lifting, Brooklyn

I loosened up, had more fun. This was good because I realized I was so wrapped in what I should be shooting and how I should be shooting. It’s great to have a mentor and friends who are photographers, but I gotta be me.

Walk This Way, Brooklyn

That evening, during a massage I imagined building little boxes and having the film transparencies with images with the sprockets showing mounted in the boxes and there would be lights in the boxes making them glow. I first thought that it would be a standalone image, but then I thought of a larger piece of driftwood with maybe six panoramas in it.

Just before the massage I had gone into a branch of the New York Public library. There was an Aperture Magazine with an essay titled, “What is the purpose of photographs?” Any photograph is simply a record, it postulated, but are they art, as well? After my exciting day taking pictures in Brooklyn, I realize that the purpose of photographs is for the photographer to derive enjoyment from the act. Also, on the massage table I had affirmed to myself: I am a photographer. I am an artist. I can do whatever the f*ck I want.

Oh my God, the voices in my head.

April 4, 2024

"The Surveillance Camera at Plymouth Rock" featured in the 2024 MAEA Art Educators Exhibit

Delighted that my image makes its public debut at the Massachusetts Art Education Association Art Educators Exhibit that runs March 14 - April 16, 2024 at The Gallery at Villageworks, 525 Massachusetts Ave, West Acton, MA 01720

A couple of weeks ago I helped hang the show and my colleagues' artworks are seriously inspiring!

Opening reception 7-8 pm on April 11th.

The Surveillance Camera at Plymouth Rock, 2023

I have been making a series of digital in-camera multiple exposures called Reality-Based Abstractions since 2008. This image was made technically possible by using a Nikon Mirrorless Z6 II DSLR camera. I had programmed the camera to layer three consecutive shots into a single image file (see below). However, unlike earlier digital Nikons I have used, the Z6, along with combining the three images, also keeps each individual image file. Thus, instead of the flag image used above being solely embedded in an unalterable layered file, it was available to combine in Photoshop with a close-up shot of the surveillance camera.

Mayflower, Columns and Flag

Rock and Camera

The monument in Plymouth, Mass., which purportedly marks the spot where the Pilgrims arrived, was vandalized twice in 2020, 400 years after the landing.

Hence, the surveillance camera.

Legendary History

An in-camera multiple exposure of the edifice:

Time's Grid

So many legends and falsehoods swirl around the Pilgrims arrival. Perhaps abstraction constitutes a more accurate portrayal.

Landing of the Pilgrims, 1825, by Samuel Bartoli

I recently came across this powerful juxtaposition of paintings at the Peabody Essex Museum in Salem, Mass. The label clarifies some of the myths.

History Through Art

Pilgrim Point, 1947, by Karl Knaths

Near Plymouth Rock, a replica of the Mayflower, one of crafts that conveyed the Pilgrims, bobs in the harbor waters.

The multiple exposure below might look like reality unless you understand how the ship's rigging for the sails actually works.

Life Lines

I layered three views of a raptor that soared above The Mayflower into a single image.

Soaring Towards Clarity

Accurate history is elusive. I am intrigued by the power of belief; that you can believe in an idea that my not be true, yet it can give you purpose, direction and meaning.

What's your Plymouth Rock?

March 2, 2024

Chasing Berenice Abbott's Light in Boston's South End

Planting inspirational seeds in advance of my students taking images on the topic of “Cities”, l showed them photographs of New York City, including “New York Stock Exchange, New York”, 1933, by Berenice Abbott.

Stepping Out - Or Was It In?

Today, l chased her light, taking pictures in Boston’s South End. These images are interspersed with photographs l shot in 1977, at age 18, living in the same South End, studying the city and its people.

Alley Tree

Back then I shot with a Nikomat, developed and printed the work myself, and then glued the images into a photo journal.

Contrails Can Suppress Daylight

Today, I used an iPhone from my pocket and posted here and on Instagram.

Shadowy Alley

It is so fun to still be exploring the world, chasing light and shadow, regardless of the capture device and method of presentation.

Echoes of Japan

They say the best way to learn is to teach.

Sunny Day

So glad that planting city seed images for my students reawakened an exploratory mindset for me.

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