The machined pattern of the Gyroscope Playground workbench at the MIT Museum beckoned:
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| My Art Playground |
Preparing to create a Reality-Based Abstraction, I got in close to photograph:
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| Right-side Up |
Often when photographic legend Jay Maisel gives a talk, he shows the same picture right-side up and then upside down, to demonstrate how our eyes play tricks on us, because we assume light (the sun) is coming from above.
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| Right-side Down |
I often combine multiple views of an object simultaneously, by layering images in the camera, to trick the eyes into seeing the full reality of a subject:
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| All Sides Together |
My image above evokes (for me) Man Ray's 1930s work Larme (Tears), which portrays a woman crying glass tears.
Here is the same workbench, shot specifically and intentionally out of focus:
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| Ways of Seeing |
Bernice Abbott, once a student of Man Ray, photographed in the 1950s at MIT, creating images to enhance the teaching of physics.
Her work, A Bouncing Ball in Diminishing Arcs, adorns the side of the MIT Museum, in Cambridge, MA:
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| It's All About Light |
I like the repartee of physics and a nearby string of lights.
Big thanks to Jay Maisel, Man Ray and Bernice Abbott, for helping me to see below (and above) the surface of things.
